3rd year students of the Faculty of Modern Foreign Languages and Literatures, PSU, have successfully defended and tested a group project in partnership with the Museum of PSU History. The team of Arina Azanova, Evgenia Demchenkova, Anastasia Efimovskikh, Elizaveta Mayorova and Elizaveta Tyurina designed and delivered the “Back to the Past: the Origin of PSU” tour for university students from China, Colombia, and Peru – followed by tour guides printed in Russian, English and Spanish.
Luckily, the ‘language tours’ by PSU students met a request for volunteer initiatives by the Museum. “We love such coincidences. They prove the museum is not just a repository of artifacts, but a living part of the University, incorporated into the educational process,” admits Maria Mingaleva, head of the Museum of PSU History. “In the students’ move, we saw a strive to make a good and sought-after product. We will be glad if they become our volunteers and help guide tours for foreign students.”
“The Chinese group appeared much more uneasy to interact with, as it was difficult for them to rely on voice only, without text. Most of all, they were intrigued by an old Chinese book,” shares Arina Azanova, a project participant. “The guys from Peru were easier to communicate with, we felt more spontaneous and confident, and maintained to run a dialogue. Sometimes it seemed that it was them who made the tour. Despite the groups were quiet different, we managed to get an extraordinary cultural experience.”
“It was truly exciting to create the original product of ours. No one gave us a ready-made text for translation. Surely, we did rely on materials available, including tours by the Museum staff, books and articles on PSU history. Our task was not just to collect data, but also transform it and adapt for another ‘mindset’. It’s been important for us to find balance within the text without overloading it with unnecessary information, and at the same time, make it interesting,” notes Evgenia Demchenkova.
“Not only did we try to immerse international students in the university history, but also create a kind of new tradition – the one that reflects our hospitality towards foreign guests, and eagerness to interculturally communicate,” says Elizaveta Mayorova. “As far as we discovered, tours around Museum of PSU History have not been conducted in other languages, before. So, we feel like a part of new trend or University tradition, which we do hope to develop!”
59 students from the Faculty of Modern Foreign Languages and Literatures prepared 12 reports aimed at both the University community and Perm Territory residents, as well as wider Internet audience. A distinctive feature of the group projects is their target audience focus, offer and demand character, ability to run dialogue with an employer, and customer-oriented result. Students practice creating multi task teams, using individual talents and knowledge, and challenge themselves with new objectives – like creating websites, shooting videos, recording podcasts, designing posters and writing press releases.
The project activities for the Faculty students in 2023 included the support of the LAMPA International Film Festival, supervision of PSU international students, support of environmental initiatives and comfortable campus space, running city tours and helping University museums, child training in robotics, interaction with PSU partners, promotion of language centers and PSU Academic Library, popularization of local urban folklore and Komi-Permyak culture.
“It was great to realize that our students’ initiatives have something in common regardless their association with different faculties. Taking that cross-field path is extremely promising and important for the University, especially when such initiatives aim at implementing socially significant tasks, contributing to the overall University progress,” notes Olga Meshcheryakova, Vice-Rector for Youth Policy and Extracurricular Activities, PSU.
Olga Averkieva, a senior teacher at the Department of Journalism and Mass Communications at Perm State University (PSU) has brought together the stories of nine characters who had left Perm but came back to discover their own way in local arts, business and social life, as a set of documentary shorts – uniting them into the “Back Home” Film Project.
The fifth short episode shows Lidia Skornyakova, a graduate student of the Faculty of Philology, PSU. Having had entered the University once, studying Journalism and Philology here, she then worked as an exhibition manager and art critic for the Yeltsin Center, Ekaterinburg, Russia, and later moved to Dubai, UAE. Yet, she got back to Perm… Following Lidia, in her own words:
“This is a brief story how I learned to be happy – getting back to where I once belonged. I was born in Perm. After school, I entered the Faculty of Philology at Perm State University. I initially went to study journalism, but got bored, and switched to philology, since I had always been into foreign languages. By 2011, when I was supposed to graduate from the Faculty of Philology, I experienced life crisis. That time, I found escape to be the only way to resolve my problems. I decided that moving to a different city and connecting myself to a different activity would make me different, too – and so shake my previous burdens off. I got carried away by an idea of becoming an art critic. I went to the city of Yekaterinburg, 3,5 hours car drive from Perm, and started looking for a job. My first serious professional occupation was the one at the Yeltsin Center, dedicate to the 1st Russian President and his era. The project had just been launched, encouraging each one of us to do our best. I remember myself getting into the thick of it, quite intensely. “
“The first time I went abroad was in 2012, a trip to Thailand. It all seemed a different planet to me, contrasting to my own environment and family’s vision that travels are for the rich people, as they don’t mind wasting money on nonsense; “What for? At which expense? Why not buy something practical, like kitchen crockery, instead?” After leaving the Yeltsin Center, I flew to Dubai. And, while I was moaning there to a female friend of mine, saying I didn’t want to return neither to Perm, nor Yekaterinburg… since after the Yeltsin Center everything seemed so low-scale and much too common to me… my friend told me: “Go, try find a job here! Elsewise, what’s the use of studying English for so many years?’ So, I did go and did find one. I became a real estate consultant with a 1,5 year contract. Gradually, I started getting tired of Dubai, feeling lack of cultural activity and native language communication in its deeper sense – looking for ideas and things to discuss instead of everyday routine, you know? I was missing performances, plays, theaters. The situation at my work did not get better, either. First, I realized that selling real estate was not my cup of tea. And, secondly, there was a moment when they decided to fire everyone right on New Year’s Eve. I didn’t like the idea of waiting for my turn, and flew back to Perm. ”
“Gosh, finding myself back home in Perm, I rushed headlong to the local stage scene and shows, at last! I did everything I could: the Philharmonic, the Organ Hall, the Cultural and Business Center, the Opera and Ballet Theater, and many other places, almost every day. I started thinking of where to study. And, as I stepped onto the University campus, something clicked – as it always did, and does every time I get in here: my goodness, how cool is the vibe, that’s the place I’ve been missing! The Master’s Degree in Chinese was well announced, so, I passed the exams, and our Dean Dr. Boris Kondakov called me to say: Welcome to the Faculty, glad to have you back! “
“When I started my Master’s, I had been working, already. An old friend of mine had offered me to take part in a cool project by the Morse Code Creative Agency – a company dealing with museum design. As a result, I started a project that I am finishing now, telling the story of Perm basketball. I see it as my personal ‘Yeltsin Center’. Most importantly, not only did this project give me a new starting point, but a new perspective of my own life, too. Previously, I considered Perm quite a boring place: not obviously true, rather because I never showed interest in it. “
“Having started working at the Yeltsin Center, I discovered that the Perm people had often been the driving force behind changes outside the city. Like, when I lived in Dubai, I discovered a whole diaspora of Permians. This came as a shock, since I always regarded Perm as a small place, some kind of a province, almost a backwater in the middle of Russia. But, no! Many people are aware of Perm State University where I am currently studying at. Perm has its own sociological and linguistic schools – which are not imaginary, like a play of Perm scholars’ egos, but the internationally recognized ones. On the whole, these are the people who share their sparkle with you, some really interesting personalities and outstanding individuals. I can’t explain why these people still make Perm their homeplace. I would, of course, like to see certain opportunities allowing them to not only personally grow, but also feel required, important and in demand to Perm… For it is here, not in St. Petersburg or Moscow, Yekaterinburg or Dubai, that they might have these prospects, belonging to their home. “
Looking back, and as an afterword, Olga Averkieva, author of the project admits: “We did not mean to shoot it for the sake of cinema as art. It is a collective reflection on why people are coming back. I hope that these series may become an impact film – the one affecting the social situation in the Perm territory. Following that line, we can go to schools, colleges and social cinemas, places of free screening, where the “Back Home” series are much welcomed.” The project had already been supported by the Presidential Grants Funding and the Ministry of Culture of Russian Federation.
The “Back Home” Film – see the original episode “To Be the Happy One” 9in Russian) here.
Starring: Lidia Skornyakova, Aleksandr Noskov, Marina Garanovich, Maria Duhnova; Script and editing: Kapitolina Dolgikh, Camera crew: Sergey Lepikhin, Angelina Trushnikova; Sound design: Mikhail Toropov; Composer: Gannadyi Shyroglazov;
Project by: Olga Averkieva; Art mentorship: Boris Karadzhev; Produced by Olga Averkieva and Vladimir Sokolov;
The Novyi Kurs (New Course) Film Studio, Perm, Russia.
Lyubov Mulmenko, a graduate of the Faculty of Philology, Perm State University (PSU) is listed among the co-authors of the script for the film “Compartment No. 6 “, nominated for an Oscar prize (https://abc.com/shows/oscars), in a Category “Best Movie in a Foreign Language”, representing Finland.
“Compartment No. 6” (Finnish: “Hytti nro 6”) is a 2021 internationally co-produced drama, which shows a story of a Finnish student forming an unlikely friendship with a gruff Russian miner, on a train from Moscow to Murmansk. Based on a novel by Rosa Liksom, the film was co-written and directed by Juho Kuosmanen, and united a crew from Finland, Germany, Estonia and Russia. Lyubov Mulmenko was invited to work on dialogues in Russian, as a script had been originally written in English.
The Academy Awards, popularly known as the Oscars, are awards for artistic and technical merit in the film industry. They are regarded as the most prestigious and significant awards in the entertainment industry worldwide, since 1929. Given annually by the Academy of Motion Picture Arts and Sciences (AMPAS), the awards are an international recognition of excellence in cinematic achievements, as assessed by the Academy’s voting membership.
Earlier, “Compartment No. 6” got the Palme d’Or Grand Prix at the 2021 Cannes Film Festival. Founded in 1946 in Cannes, France, it is one of the “Big Three” major European film festivals, and an event for the whole global cinema industry.
In 2021, the Cannes Festival saw another film by Lyubov Mulmenko, also performing as a co-screen writer (lead by Kira Kovalenko and a co-director Anton Yarush) – “Unclenching the Fists”, a family drama growing in a mining town in North Ossetia – a story of a young woman struggles to escape the stifling hold of the family she loves as much as she rejects. “Unclenching Fists” won the Grand Prix of the Uncleaning View author’s film competition at the 74th Cannes Film Festival.
From a young age, Lyubov Mulmenko knew she would be a writer: “I just adored inventing the characters and the worlds they live in”. Gradually, she tried “to learn even more in the process.” At Perm State University, Lyubov studied journalism, and further art journalism at the Pro Arte Institute in St. Petersburg. For several years then, she worked in media, including the Sol Internet Newspaper, the Companion Magazine, the New Companion Newspaper, and wrote as a columnist for the https://Lenta.ru.
In 2014, Mulmenko made her screenwriting debut with a trio of drama films that screened in festivals including Rotterdam, San Sebastian and Karlovy Vary. Recently, Lyubov Mulmenko presented her directorial debut, “The Danube”, in the main competition of the Kinotavr Film Festival. “All I hope is to continue with storytelling,” she says, “but I’d like to write less for others and make more films myself.”
The VUZ-Flahertiana is a friendly way to talk about how we feel, in relation to non-fiction, true-to-life and hard-to-predict stories, which documentaries are. Our own response might be a valuable part of such a screening. According to the Contest Committee, “the goal of the competition is to promote the dialogue culture, tolerance, civic engagement and motivation in youth environment.”
Each University faculty was given the opportunity to choose its own film, referring to the unique collection by the Flahertiana International Film Festival, collected over the years of existence. Flahertiana’s competitive selection means we have access to the cream of the cream contestant productions within the documentary field.
“The University develops in a dialogue with the local community, and itself,” says Ksenia Punina, Head of the Public Relations Department, PSU. “Here this dialogue is being given technical and intellectual support, as well as the interdisciplinary and unifying approach, hence the choice of films.“
Instead of affiliation with a particular field of science, in 2021, the most popular topic is connected to personal progress and self-search, as well as the role that media in that phenomenon. It can be assumed that this choice was triggered by the threat to the human species in the face of the pandemic and the withdrawal of online education.
“We hope that each show will reveal the individuality character of the faculty, encouraging students and teachers to speak out, contributing to the interactive University climate. We are looking forward to make “VUZ-Flahertiana” a year-round film club in a partnership and mentorship of the Perm Cinema Center,”
notes Elena Malkova, Vice-Rector for Youth Policy, PSU.
